Davide Lorenzon
Appears on:- KONGROSIAN Bootstrap Paradox
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KONGROSIAN
The Exit Door Leads In -
KONGROSIAN WITH MATTHIAS SCHUBERT
Live in Berlin -
HIC SALTA
Chinese Whisper -
BERLIN SOUNDPAINTING ORCHESTRA
Holothuria -
MOUNTWEAZEL
Doublethink -
ECHO CHAMBER
Antinodal (ep)
Davide Lorenzon is a tenor saxophone player.
Born in Vittorio Veneto in 1980, lives now in Bologna. He is manager of Aut Records, label devoted to creative music.
During the 90’s he attended Music school ‘A. Corelli’ in Vittorio Veneto where he studied classical clarinet and saxophone with Dario Zandegiacomo. At the end of the 90’s he got involved in the punk-hardcore scene, playing electric bass and screaming in different bands. In 2005 he moved back to impro-jazz saxophone, taking private lessons during the years. He attended workshops by William Parker, Szilard Mezei, John Russell, Walter Thompson, Tim Berne and played live sets in different places with bands such as ‘Improvvirusoundexperience’, ‘Kongrosian’, ‘Berlin Soundpainting Orchestra”, “Mountweazel” and “Echo Chamber”.
In 2006 and 2007 he organised ‘Variazioni’, research and experimental music Festival in Colle Umberto (TV).
In 2010 he founded ‘Aut Records’, label that released 140 albums so far.
In 2011 he moved to Berlin where he played regularly with the “Berlin Soundpainting Orchestra”, “Mountweazel” and “Echo Chamber”.
In the past he played also with the winds trio “Kongrosian” and “Improvvirusoundexperience”.
Together with the Aut team in September 2014 he organised the first label’s festival “Aut Fest” followed in December 2015 and in November 2016 by two other editions. In 2017 the festival became occasionally a one night event.
Beside music Davide’s interests reside in philosophy, politics and science. In 2009 he graduated in Philosophy at the Ca’ Foscari University in Venice with a thesis on capitalism, nature and hunger called “Food for machines, hunger for humankind”. He is currently earning a second master at the Berlin Mind and Brain School at Humboldt University. His first article appeared in 2017 on the Swedish magazine “Subaltern”.