Jakob Heinemann

Appears on:

• STRINNING – LONG – HEINEMANN
  Lines of Flight

Jakob Heinemann is a bassist, composer, and sound artist whose work explores the intersections of improvisation, composition, and acoustic ecology. Currently based in Los Angeles, Heinemann received a B.M. in Double Bass Performance with a Jazz Emphasis from Lawrence University, earning the Phi Kappa Lambda Jazz Composition Award during his junior year. Deeply rooted in the creative music communities of Chicago, Wisconsin, and Los Angeles, his practice reflects a sustained engagement with place, listening, and sonic texture.

As a solo artist, Heinemann has released numerous critically acclaimed albums. 2023’s Opacity was lauded as “an immersive sonic environment full of intrigue and wonder” (Foxy Digitalis), and his 2024 follow up, Horizon Scanners, was released on legendary Portuguese label Clean Feed Records, with All About Jazz noting that the record “invites listeners on an enthralling journey through sound, emotion and exploration.” Heinemann has performed and recorded with some of the most important creative musicians of our time, including NEA Jazz Master Roscoe Mitchell, MacArthur Fellow Tomeka Reid, Angel Bat Dawid (2021 “Chicagoan of the Year in Jazz”), and saxophonist Dave Rempis. His playing has been praised for its depth and precision, described by jazz journalist Glenn Astarita as “providing a harmonic anchor and melodic counterpoint.” Additional coverage in outlets like Downbeat Magazine, The Quietus, 15 Questions, and Free Jazz Blog recognizes Jakob as a vital and evolving voice in contemporary experimental and improvised music.

Beyond performance, Heinemann is a committed composer, educator and curator. Described by critic Bob Osborne as possessing “a distinctive compositional voice”, his pieces have been premiered nationwide and often incorporate field recordings, extended techniques, and modular electronics. His compositional work has been supported by grants from the Swiss Arts Council, Chicago Department of Cultural Affairs, the Madison Arts Commission, and Fred Sturm Inspiration Fund at Lawrence University. He has held teaching positions at institutions like the People’s Music School and California Institute of the Arts and has presented clinics at UW-Madison and the Richard Davis Bass Camp. He currently serves as Vice President of the Midwest Society for Acoustic Ecology.